Cosmetics can be a tricky subject for a lot of reasons.
- The design of the packaging and tools are extremely important for the branding of the items. Logos, shapes, colors, textures, and more are carefully worked and reworked to help the customer feel the experience of the makeup in the purchase of the items themselves.
- The products themselves are relatively mundane. Powders, glossy goo, tiny plates of colored wax… NOT the stuff of dreams for a photographer, but nonetheless we must create images that show the cosmetics in the most carefully constructed ways.
- The packaging is often chrome, shiny and brightly colored plastic, transparent glass or plastic, and small enough to be very demanding on the tabletop.
Marketing managers want their items to look better than real when we shoot them, and often they will bring dozens and dozens of items to the studio so we can find the absolute most perfect items possible to photograph.
COMPOSITION:
Often there is a hero to the shot, and we can use that hero to our advantage, but we must be very careful with the light. We want the supporting items to be as well lit, but the hero to be even a bit more ‘poppy’. We can use distance and scrims to work through those challenges.
Most likely, the items will either be shown as a single item or in a group to show colors.
Let’s look at a single tube of lipstick.
A group shot may be more difficult as we must control the reflections across several items.
ASSIGNMENT:
Shoot an ad for a local cosmetics company. Use something as a prop to help stage the cosmetic(s) you choose to shoot. Perhaps a stone, or a flower, or a lovely piece of wood. Set off the cosmetic item with a single, dramatic item. It doesn’t have to be in focus, and it is there only to reinforce the cosmetic item. Spray paint or glitter or all sorts of craft ideas come to mind.
Do your research, please. Look for cosmetic ads online. Find other photographers who specialize in cosmetics and see what they do.
Share any wonderful cosmetics shooters on the Facebook page,
P52 LEGACY ASSIGNMENT. THE ONE WITH A STRANGER
Photographing Strangers: The Rewards and the Challenges. It's about connection. The lens, the eye, the soul. Strangers. You know nothing about them. A blank canvas. A world of possibility. Twenty years. A people photographer. Images of countless faces. Expressions....