Module Five
Series and Sets
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Image Size: 1200 pixels on long side
IMPORTANT: IMAGE FILE NAME
SH-first-last-module-#
(Like this: SH-don-giannatti-module-1)
Meeting Notes
Quick recap
The meeting focused on photography business operations and pricing strategies, with Don providing guidance to students on setting appropriate rates and establishing professional practices. Don emphasized the importance of getting client approval before shooting and explained how to structure pricing tiers and contracts. The group discussed various technical aspects including insurance requirements, bartering considerations, and the use of AI tools for background creation. Don shared his rate calculator tool and encouraged students to begin reaching out to potential clients, noting that even small towns can support professional photographers charging appropriate rates. The session concluded with practical advice about video photography techniques, particularly for those new to motion capture, with Don recommending starting with iPhone-based solutions before advancing to more complex equipment.
Next steps
- All participants: Contact at least 5 potential clients and propose a clear photography job, aiming to book a job worth $500 or the best possible rate, within the next 2 weeks.
- Don: Post on Facebook the formula/guide for explicitly asking for a photographic background in AI tools (noted to be done tonight).
- Don: Put up links on Facebook to photographers’ work with video/motion examples for Debra and others interested in video.
- Don: Place the toolkit (rate calculator, project proposal template, email template, estimate structure, project feed, shoot day checklist, contract, etc.) in the “Bonus Module” or “Client Acquisition” page/module so all participants can access it.
- All participants: Review and utilize the toolkit (templates, contract, rate calculator, etc.) from the Bonus Module/Client Acquisition page for client outreach and job quoting.
- Becky: Ask ChatGPT or Gemini how to store and recall prompts/formulas for future use (per Don’s suggestion about AI memory features).
- All participants: Acquire liability insurance before taking gear on location for client shoots.
- All participants: Ensure contracts specify that clients must provide insurance for valuable items brought to the studio, and that the photographer is not responsible for insurance of client property beyond standard liability.
- All participants: Follow along with Don’s daily Facebook posts next week for motivation and updates.
- All participants: If sending outreach emails, send copies to Don (implied for review/feedback, per “if you send in your emails…it can happen”).
Summary
Client Approval and Payment Process
Don discussed the importance of getting client approval for photo shoots and recommended billing in full or spreading payments over time, emphasizing the need to protect intellectual property until payment is received. Bryan inquired about the process of client approval, and Don confirmed that approval is always necessary, even if clients are not present during the shoot. Don encouraged participants to secure a gig, even a free one, to gain experience and discussed the upcoming class schedule, noting that there would be no meeting next Tuesday but the following Tuesday would continue the class.
Photography Series and Creative Insights
Don and Bryan discussed Bryan’s photography series inspired by a vinyl record store called Dig It Record Barn, which Bryan had previously worked with to create a website. Bryan explained his setup and creative choices, including the use of blue tones and a spinning record in one photo. Franklin shared his series of photos featuring a handmade vase, highlighting its texture and coloration. Don praised the quality of Franklin’s photos, noting their ability to showcase the object’s details effectively.
Photography Pricing Structure Discussion
Don reviewed several photography samples with the team, providing feedback on lighting, composition, and technical details. He emphasized the importance of establishing clear pricing tiers for photography services, suggesting a three-tier package structure to present to clients. Bryan inquired about whether the pricing tiers should apply to both primary and secondary lanes of business, though the question was not fully resolved in the transcript.
Camera Setup and Resource Sharing
Don and Bryan discussed the use of a camera for shooting both food and tabletop products, agreeing that the same setup could be used for both. Don shared tools and resources, including a rate calculator for small businesses, which he planned to add to the bonus module for easy access. Bryan mentioned an issue with accessing a video due to restrictions in Taiwan, but Don confirmed it should be accessible with a VPN.
Photography Pricing Strategy Review
Don and Becky discussed pricing strategies for Becky’s photography business in Killeen, Texas. They reviewed various cost components including shoot fees, per-image charges, and post-production fees. Don advised Becky to increase her minimum shoot fee to $500 and her per-image rates to $35-85, depending on the market size. They also discussed handling client pushback on prices and usage rights for images.
Photographer Pricing Calculator Tool Demo
Don demonstrated a pricing calculator tool to help photographers determine appropriate rates for their work. He emphasized the importance of setting a minimum rate that reflects the value of the photographer’s time and skills, warning against undervaluing oneself. Don also discussed the use of contracts to outline pricing and services, and encouraged photographers to negotiate through their contracts rather than through direct bargaining.
Photography Business Pricing and Contracts
Don explained his rate card structure, which includes a base shoot fee and per-shot charges, aiming for a total profit of $850 per shoot. He shared a comprehensive toolkit with project proposal templates, email templates, and contracts, emphasizing the importance of including reproduction rights clauses in contracts to ensure payment before usage. Bryan and Franklin discussed pricing strategies, with Don advising flexibility on bartering arrangements while noting the need to report barter transactions to the IRS. Don also highlighted the importance of keeping receipts and separating sales tax funds, particularly for photography services in Arizona, and suggested using online PDF signing services for contracts.
Photography Insurance and Business Growth
Don discussed the importance of liability insurance for photographers, especially when working outside the studio. He shared his experience with insuring valuable items and advised that clients should be responsible for insurance when equipment is at a photographer’s location. Don also encouraged the group to contact clients and propose photography jobs, offering support and motivation through social media. The discussion concluded with an open forum for questions, where Bryan raised concerns about the lack of commercial photography opportunities in his area.
Professional Pricing in Photography Market
Bryan discussed challenges in the local photography market, where many people view amateur photographers as professionals, and Don advised focusing on high-end clients rather than competing on price. Don shared a story about a portrait photographer who successfully charged premium rates in a small Texas town, emphasizing that Bryan should maintain professional pricing and not be swayed by local market pressures. Don also promised to share a formula for creating professional-looking backgrounds using AI tools, and Becky confirmed she had been helping others learn this technique.
iPhone Video Production Techniques
The group discussed video production techniques, with Don advising Bryan to lead with his video production strengths when approaching potential clients rather than photography. Don provided guidance to Debra and Becky on creating simple motion photography using iPhones, emphasizing the importance of keeping the camera still while capturing movement in front of it. Don recommended using the Life Lapse app for stop motion photography and suggested starting with basic iPhone footage before advancing to more complex camera setups.
Module: Sets and Series
Why One Photo Isn’t Enough
Module Overview
Commercial clients almost never hire a photographer for one image.
They hire photographers who can produce a body of work that feels consistent, intentional, and usable across platforms.
That means:
• Multiple images
• Consistent lighting and style
• Different compositions
• Clear visual cohesion
In this module students will learn how to create:
- A Set – variations of the same subject
- A Series – a connected visual concept
Both are essential for building a working commercial portfolio.
Part One: What Is a Set?
A set is a group of photographs of the same subject.
Same product.
Same food.
Same object.
But photographed in multiple ways.
Think of it as coverage.
Example: A Coffee Mug Set
Image 1 – Hero shot
Image 2 – Overhead
Image 3 – Detail / texture
Image 4 – Lifestyle context
Image 5 – Negative space version
Same mug.
Five usable images.
That’s exactly what a client needs.
Why Sets Matter
Small businesses need images for:
• Websites
• Social media
• Menu boards
• Advertisements
• Packaging
• Editorial
One image cannot do all of that.
A set solves the problem.
And photographers who show sets look far more hireable.
Part Two: What Is a Series?
A series is different.
Instead of one subject photographed multiple ways…
You photograph multiple subjects with the same visual approach.
Example:
Series Idea: “Local Coffee”
• Espresso shot
• Cappuccino
• Latte
• Cold brew
• Coffee beans
Each image:
• Same lighting style
• Same background
• Same composition approach
Different subject.
Same visual language.
That’s a series.
Why Series Matter
A series shows three powerful things:
- Consistency
- Creative direction
- Art direction ability
Those three skills are what commercial clients are really hiring.
The Professional Standard
Working photographers usually deliver both.
Example:
Product Job
A skincare brand hires you.
You might deliver:
Set (for each product)
• Hero shot
• Detail shot
• Ingredient shot
AND
Series (for the product line)
• Clean white style
• Consistent lighting
• Same brand aesthetic
Now the client has a library of images.
Student Assignment
Build One Set and One Series
Students will produce:
1 SET
5 images of the same object
Examples:
• A beverage
• A kitchen item
• A piece of jewelry
• A food dish
• A cosmetic product
Required shots:
- Hero shot
- Overhead
- Detail / macro
- Negative space version
- Context shot
1 SERIES
Choose one theme.
Photograph 3–5 different subjects using the same style.
Examples:
• Breakfast foods
• Kitchen utensils
• Coffee drinks
• Small bottles
• Baked goods
Rules:
• Same lighting style
• Same background
• Same mood
The viewer should recognize the connection instantly.
The Simple Rule
If someone looks at your work and says:
“These all look like they belong together.”
You did it right.
Portfolio Impact
This assignment produces two powerful portfolio additions:
Set → Shows coverage and versatility
Series → Shows creative thinking and consistency
That combination is exactly what small businesses need.
Common Mistakes
Students should avoid:
- Random props
- Changing the lighting every shot
- Different backgrounds
- Too many ideas in one shoot
Commercial photography rewards clarity and control.
Deliverables
Students submit:
Set
• 4 images
OR:
Series
• 4 images
AI Prompt
Students can use AI to refine their idea.
Prompt:
I am building a small commercial photography portfolio.
Suggest 5 ideas for a photographic set and 5 ideas for a photographic series that could be shot at home with simple props and studio lighting.
Focus on food, product, and tabletop photography.Remember to identify yourself and your lane.
Audio Overview
Showing Sets and Series on a Website
The goal is simple:
Make it obvious that you can produce usable coverage.
Not one lucky photograph.
A complete visual solution.
Rule #1
Lead With the Hero
Every set or series should start with a single strong hero image.
That image:
• grabs attention
• establishes the style
• sets the mood for the group
Think of it like the movie poster for the shoot.
Clients scroll fast. The first image must stop them.
Rule #2
Show the Coverage Immediately
Right after the hero image, show 3–5 supporting images from the same shoot.
This proves something important:
You didn’t just get lucky.
You controlled the shoot.
Example layout:
Hero image
Overhead
Detail shot
Negative space version
Alternate composition
Now the client sees:
“Oh… this photographer can give me options.”
Options equal confidence.
Rule #3
Group the Images
Never scatter a set across multiple pages.
Each set should live together.
Example:
Product Photography Page
Section 1
Hero product shot
Supporting shots
Section 2
Different product
Supporting shots
Section 3
Another product
Supporting shots
Think mini projects, not a pile of photos.
Rule #4
Keep the Sets Small
Do not overwhelm the viewer.
Ideal number:
4–6 images per set
Enough to show coverage.
Not enough to bore anyone.
Art directors scroll fast.
Rule #5
Let the Work Breathe
Avoid complicated layouts.
Clean works best.
White or neutral backgrounds.
Large images.
Simple spacing.
Your work should feel confident and uncluttered.
If the layout is screaming for attention, the photography loses.
Rule #6
Give Each Set a Title
This helps the viewer understand the thinking.
Example titles:
• Coffee Shop Product Set
• Artisan Bread Series
• Skincare Bottle Set
• Craft Cocktail Series
• Breakfast Menu Series
Simple. Clear. Professional.
It shows you think in projects, not random images.
Rule #7
Think Like a Client
Ask this question before uploading:
“If I owned a restaurant or product company, would this feel usable?”
If the answer is yes, you’re on the right track.
Simple Website Structure
For your side-hustle photographers, keep it clean.
Homepage
Strong hero images from different sets.
Food Photography
3–5 sets
Each set = 4–6 images
Product Photography
3–5 sets
Each set = 4–6 images
About Page
Who you work with
Where you’re located
What you photograph
Contact
Simple form or email.
Done.
Simple sites book work.
One Portfolio Reality
Photographers think they need 50 amazing images.
They don’t.
What clients want to see is 10–15 images that clearly belong together.
That shows professionalism.
A Quick Example
Bad portfolio:
• Pizza
• Candle
• Watch
• Portrait
• Landscape
• Random food
No direction.
Better portfolio:
Pizza Set
• Hero pizza
• Slice lift
• Detail crust
• Overhead
• Ingredient shot
Now it looks like a job assignment.
That’s what gets attention.