“The fact that you own a lot of gear that cost a lot of money, have purchased a vehicle to transport that gear, and spent long hours mastering its use is a given. Of course you have. Otherwise you would not be a professional photographer. Period.
I do not care how much it costs to make a movie, I just want it to be good, entertain me for a while, and hopefully not have Alec Baldwin in it. The budget is of no interest. The movie is either good or it isn’t.
Big budget movies have totally bombed, while some made on a shoestring budget have been amazingly popular.
So it is with photographers. You either can produce an image that satisfies the needs and desires of your client, or you cannot. Whether you shoot a Canon or a Nikon is of surprisingly little interest to them.”
I hope you take a few minutes to read it. Pricing creative work is one of the more difficult challenges we face. Here are a few ideas to think about.
My bud Steve Burger is the driving force of Pro Digital Image. He is a Photoshop genius who loves to make photographs, awesome prints, and teach. He has been THE guy to go to for Photoshop in Phoenix and Arizona for more than a decade.
I have built all of his websites, and the newest one does a bit of rebranding for him as well. Steve has been teaching classes of 10 – 12 weekly for 15 years. He has recently seen the numbers for those classes go down, while the calls for him to do one-on-one have risen exponentially.
We addressed that with this website. I waited till the last scheduled group class had been started, then went after the rebrand with all that I needed.
Steve had sent the images we were going to use for backgrounds, and I had created a wireframe for how the site would fit together. I then re-wrote some of the copy he had on the previous site and added some new words for his changed business model.
Having all the content ahead of time sure made it easier to build the site. Having the site plan/wireframe ready also helped me build quickly.
To give the site a modern look and change it dramatically from the previous site, I chose a Parallax style one page approach. There are behind the scenes pages (payment/ordering and such) but for the most part it is a single page utilizing a long scroll, point navigation, and large, colorful background imagery.
It is always fun to work with friends to keep their marketing moving forward, and this work for Steve was no exception. I have been working on a new logo, and should have that in place by the first of the year.
In the meantime – if you are in Phoenix or Arizona and want to see dramatic improvement in your Photoshop skills, give Steve a call. He also works with visitors to the valley as well.
We made a few simple tweaks to J Morgan Images, a consumer photography website by photographer Jessica Edler.
You can see what we did and keep these few ideas in mind. Get your clients and visitors STRAIGHT to the imagery. Do not use ‘cover pages’ or ‘entry pages’ as they are akin to protecting the viewer. A simple change of the template provides a much more modern and fresh approach for her website.
John McAllister is a photographer in High Wycombe, UK. I worked with him on this email campaign for restaurants. John designed it himself and I collaborated on the copy. In this campaign we focus on the benefits to the customer, not the assets of the photographer. It is an important distinction.
The piece will be carefully controlled in its dissemination, and John will make sure that the restaurants all receive a follow up call to confirm receipt.
John’s strategy is to create a few different niche emails, all based on this clean design, and then get them out the door with a consistent plan.
To discuss how I can help you with your marketing, please contact me.
Most people will go through life without ever having to hire a professional photographer. Unless we are talking about wedding photographers, or portrait photographers who photograph our kids for school, most folks just never have a need for a commercial photographer.
Commercial photographers usually deal with other businesses, a B2B approach that makes Graphic Designers, Ad Agencies, Magazines and Corporate Communications their main points of contact for work. Those entities are usually working on behalf of another company that is needing photography to promote their business, product, service or craft.
However, increasingly people are starting businesses from their homes and offices and are in need of a photographer. Perhaps they are starting a website to sell something, or have opened a service business and need images for a brochure and website. Maybe they have begun to make furniture or musical instruments or iPhone cases and need photographs of their products for marketing and distribution.
If you are one of these folks, and are thinking that you maybe need a professional photographer, here are some things to think about as you make your decision.
- You are not hiring an “Artist”, you are hiring a “visual solution provider”
Yes, I know that sounds kind of strange, but that is what commercial photographers do. Every product has challenges to making it look great. Every service has challenges in bringing that service to a photograph. Professional commercial photographers are uniquely prepared to meet those challenges and provide solutions that make images that work for you. Most commercial photographers consider themselves problem solvers first… and that is good for you.
- Don’t look for “your photograph” in their portfolios
Photographers always have portfolios of images they have taken for someone else. Those images solved that client’s problems, and provided the unique visual solution that had been worked out with that with them. Your needs and challenges will most likely be different than theirs, and the photographer will work with you to find the best solutions to your unique visual challenges.
- All Photographers are not the same
That wonderful photographer that photographed your daughters wedding may not be a commercial photographer, nor have the skills needed to provide that work. (In fairness, they may also be commercial shooters… ask for a client list.) The dentist across the street with all the big lenses may take incredible landscape photographs when he is on vacation, but may have no idea at all how to shoot your shiny product so it looks great in print and on Amazon’s website.If you need a people shot, you should look for someone who does that well. If you have a product, make sure the photographer can shoot products. Remember that their portfolio, while not having the exact shot you are looking for, will definitely let you know if they are capable of shooting products, people, locations and studio work.
- Discuss your budget honestly
Most professional photographers are decent, honest people and want to work with you. They can take your budget and find the best way to get what you need done. If your budget will not be enough for a studio rental, they will find a way to shoot it on location. If you only have a specific amount of money to spend on the photography, most photographers will find a way to make sure you get the absolute best work possible. And for sure, different photographers have different ways of getting things done. It is certainly OK to look at different photographers and compare their quality and bids.
- Hire a photographer that understands your needs
How can you tell if they understand your needs? They ask questions. Lots and lots of questions. They will want to see what you consider your competition, they may want to scout your location, or meet with you for a pre-production discussion. They may ask to do test shots before the actual shoot to make sure they can solve the challenges in the best way possible. They will want to know exactly what you want to do with the images so they can prepare them for the best presentation possible.
- Great photography is not a cost item, it’s a profit center!
Good photography sells more product. It makes your service look better. It takes your business and shows it in the best light (no pun… seriously). Look at the premium brands for the truth. They spend tens of thousands, even hundreds of thousands of dollars on their imagery. Why? Because they KNOW it works. In side by side comparisons, consumers and purchasers choose brands with great photography over products with bad, boring or mediocre imagery.In short… better photography sells more stuff to the clients you want to serve.
A warning… you may have heard of some very inexpensive images, even free, to be found on the internet. We call them “stock” photography. And there are indeed some places in your marketing where good stock photography can be used, but remember that those same images can be used by every and anyone. Even your competitors. Now THAT would be embarrassing.
Hiring a professional photographer should not be difficult or cause angst or pain. It is an important business decision, and should be considered with deliberate thoughtfulness. Choosing the wrong photographer, or making visual decisions that are not in keeping with your brand and the goals of your business can have long reaching consequences. Choosing the right photographer can bring more to the bottom line of your business than you even imagined.
NOTE: this post was inspired by this excellent post by Mike Montiero of Mule Design. He was discussing hiring a designer and I, being a designer as well, realized that many of those thoughts transfer to hiring a professional photographer. Great post, Mike.
Free for personal or commercial use, these urban color closeups can be used for backgrounds, textures or simply bits of color.
See the whole group of them here. You can also download the entire set as a zip file in the page.